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A    r    t    e    s

An E-magazine: Passionate for the arts, architecture & design

M    a    g    a    z    i    n    e

 


  Albany • Albany Institute of History and Art
    • New York State Museum
    • University Art Museum
 
  Alfred • Schein-Joseph International Museum of Ceramic Art
 
  Astoria • American Museum of the Moving Image
 
  Beacon City • Dia: Beacon
 
  Blue Mountain Lake • The Adirondack Museum
 
  Buffalo • Albright-Knox Art Gallery
    • The Burchfield Penney Art Center
    • University at Buffalo Art Gallery
 
  Canajoharie • Arkell Museum at Canajoharie
 
  Catskill • Cedar Grove | Thomas Cole National Historic Site
 
  Clinton • Emerson Gallery at Hamilton College
 
  Cooperstown • Fenimore Art Museum
 
  Corning • Corning Museum of Glass
    • Rockwell Museum of Western Art
 
  East Hampton • Guild Hall Museum
 
  East Islip • Islip Art Museum
 
  Elmira • Arnot Art Museum
 
  Glens Falls • Hyde Collection Art Museum
 
  Hamilton • Picker Art Gallery at Colgate University
 
  Hastings on Hudson • Newington-Cropsey Foundation
 
  Hempstead • Hofstra University Museum
 
  Huntington • Heckscher Museum of Art
 
  Ithaca • Johnson Museum of Art at Cornell University
 
  Katonah • Katonah Museum of Art
 
  Long Island • Hillwood Art Museum
 
  Long Island City • Fisher Landau Center for Art
    • Isamu Noguchi Garden Museum
    • P.S. 1 Museum
 
  Mountainville • Storm King Art Center
 
  Mumford • Genesee Country Village and Museum
 
  New Paltz • Samuel Dorsky Museum of Art at SUNY New Paltz
 
  New York City • Frick Collection
    • Guggenheim Museum
    • Jewish Museum
    • Metropolitan Museum of Art
    • Museum of Modern Art (MOMA)
    • Museum of the City of New York
    • Whitney Museum of American Art
    • Alternative Museum
    • American Folk Art Museum
    • American Museum of Natural History
    • Asia Society Museum
    • Bronx Museum of the Arts
    • Brooklyn Museum of Art
    • Chelsea Art Museum
    • Cooper-Hewitt, National Design Museum
    • Dahesh Museum
    • Dia Center for the Arts
    • Dia: at the Hispanic Society of America
    • Drawing Center
    • El Museo del Barrio
    • Grey Art Gallery at New York University
    • Hispanic Society of America
    • International Center of Photography
    • International Print Center
    • Japan Society Gallery
    • Lehman College Art Gallery
    • Morgan Library
    • Museum at the Fashion Institute of Technology (FIT)
    • Museum for African Art
    • Museum of Arts and Design
    • Museum of Comic and Cartoon Art
    • Museum of Contemporary African Diasporan Arts
    • Museum of the National Academy of Design
    • National Museum of the American Indian
    • Neue Galerie Museum for German and Austrian Art
    • New Museum of Contemporary Art
    • New-York Historical Society
    • Nicholas Roerich Museum
    • Queens Museum of Art
    • Rotunda Gallery
    • Rubin Museum of Art: Art of the Himalayas
    • Society of Illustrators Museum of American Illustration
    • Staten Island Museum
    • Studio Museum in Harlem
    • UBS Art Collection
    • Ukrainian Museum
    • Wallach Art Gallery at Columbia University
 
  Niagara Falls • Castellani Art Museum at Niagara University
 
  North Salem • Hammond Museum and Japanese Stroll Garden
 
  Ogdensburg • Frederic Remington Art Museum
 
  Old Chatham • Shaker Museum and Library
 
  Omi • Art Omi International Arts Center and Fields Sculpture Park
 
  Plattsburgh • Plattsburgh State University Art Museum
 
  Poughkeepsie • Loeb Art Center at Vassar College
 
  Purchase • Neuberger Museum of Art at Purchase College
 
  Rochester • George Eastman House International Museum of Photography and Film
    • Memorial Art Gallery at the University of Rochester
    • Rochester Contemporary Art Center
    • Strong Museum
 
  Roslyn Harbor • Nassau County Museum of Art
 
  Saratoga Springs • The Schick Art Gallery and The Tang Museum at Skidmore College
 
  Southampton • Parrish Art Museum
 
  Stony Brook • Long Island Museum of American Art, History and Carriages
 
  Syracuse • Everson Museum of Art
    • Syracuse University Art Collection
 
  Utica • Munson-Williams-Proctor Arts Institute Museum of Art
 
  Yonkers • Hudson River Museum

….. 

THE STATE UNIVERSITY OF NEW YORK

UNIVERSITY AT BUFFALO

UB Anderson Gallery

Joan Mitchell, Ode to Joy (a poem by Frank O’Hara), 1970-71. Oil on Canvas.
 112×190 inches.Gift of Rebecca Anderson, 1988.

Hartigan, Mitchell, Jackson

Subtle Resistance

  • The exhibition investigates the ways in which artists Grace Hartigan and Joan Mitchell, and gallerist Martha Jackson resisted rigid categorizations of gender roles in Post-World War II New York. It features work by Hartigan and Mitchell from 1950-1980 from the collections of the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, the Smith College Museum of Art, Annette Cravens, the Estate of David K. Anderson, the University at Buffalo collections, and rare archival materials from the Martha Jackson Gallery Archives at UB Anderson Gallery.

    Curated by Angelica Maier in conjunction with her Master’s Thesis(SUNY at Buffalo).

    Runs April 13, 2013 through August 4, 2013 !

    ….

Brooklyn Museum of Art

Andy Warhol: The Last Decade

June 18–September 12, 2010

Andy Warhol (American, 1928–1987). Self-Portrait, 1986. Acrylic and silkscreen ink on linen, 40 x 40 in. (101.6 x 101.6 cm). Mugrabi Collection. © 2010 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York

Andy Warhol: The Last Decade is the first U.S. museum survey to examine the late work of American artist Andy Warhol (1928–1987). Encompassing nearly fifty works, the exhibition reveals the artist’s vitality, energy, and renewed spirit of experimentation. During this time Warhol produced more works, in a considerable number of series and on a vastly larger scale, than at any other point in his forty-year career. It was a decade of great artistic development for him, during which a dramatic transformation of his style took place alongside the introduction of new techniques.

Warhol continued to expand upon his artistic and business ventures with commissioned portraits, print series, television productions, and fashion projects, but he also reengaged with painting. In the late 1970s, he developed a new interest in abstraction, first with his Oxidations and Shadows series and later with his Yarn, Rorschach, and Camouflage paintings. His return to the hand-painted image in the 1980s was inspired by collaborations with Jean-Michel Basquiat, Francesco Clemente, and Keith Haring. The exhibition concludes with Warhol’s variations on Leonardo da Vinci’s The Last Supper, one of the largest series of his career. Together, these works provide an important framework for understanding Warhol’s late career by showing how he simultaneously incorporated the screened image and pursued a reinvention of painting.


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