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Functional Design

Edsel & Eleanor Ford House, Grosse Pointe Shores, Michigan and Art of Quilting

The words ‘innovative’ and ‘groundbreaking’ may seem out of place when situated next to the word ‘quilt,’ but the exhibiting group Quilt Art is forcing the art world to sit back and take notice of a burgeoning art form. These are definitely not your great-grandmother’s quilts.

The 1970s saw a so-called ‘quilt revival’ in the US, spurring a growing number of quilt makers to emerge around the world. However, the display of quilts on art gallery walls was a novelty until after the 1971 exhibition Abstract Design in American Quilts at the Whitney Museum of American Art, New York, which invited viewers to consider the quilt as abstract art rather than as a domestic and functional object.

Sara Impey, Positivity (2004). Silks, hand and machine pieced, quilted by machine. Photo: Bluebridge Farm Studio. artes fine arts magazine More

Philadelphia Museum of Art with Neo-Modern Vision of Multi-Faceted Architect

The 'Z'-Chair, a Zaha Hadid design, on view at PMA

On view through spring, 2012, the Philadelphia Museum of Art features a unique exhibition, Zaha Hadid: Form in Motion. This show includes furniture and design objects in a space entirely transformed by the prominent female architect. The fluid, site-specific installation is the first of its kind in the United States, assembled by a team of designers from Hadid Architects. The show reflects Hadid’s seamless work methods, as well as her technological breakthroughs in architecture and design. artes fine arts magazineMore

Artists & Environmental Change: The Elusive Power of Contemporary Art

Robert Smithson, Spiral Jetty (Great Salt Lake), 1970. Photo: George Steinmetz (2002)

The Utopian desire of 1970s ‘Land’ artists, who broke away from the stranglehold of the art market by producing earthworks far removed from cities, has given way to new projects that demonstrate a global ecological awareness through cross-disciplinary investigations concerning environmental sustainability. artes fine arts magazineMore

Wilmington, Delaware’s Concerned Community Revitalizes Architectural Landmark

Classical limestone bank buildings line the streets of downtown Wilmington, Delaware; facades that suggest prosperity and life. But until recently, the streetlights shining vigilantly at night exposed nothing but emptiness.  And, although Wilmington became a national financial center for the credit card industry – since the Financial Center Development Act of 1981 removed the legal cap on interest rates that banks charge customers – at the receiving end, its population had a median household income of $35,000 in the 2000 census. fine arts magazineMore

Art Deco Silver: A Modern Design Revolution

Gorham silver coffee pot (c. 1932)

How can you explain the allure of silver? Like its rich cousin, gold, silver is one of those rare earth elements that has served the imagination and creative hand of artisans over the ages- often with breathtakingly beautiful results. Silver in its purest form is soft and pliable, reflective and lustrous when polished to a high shine and filled with beautiful light-effects when cut, shaped, hammered or cast.

Over the ages, silversmiths have taken their inspiration largely from nature to create works of art with both utility and beauty. Most familiar are the elaborate coffee services, candelabras and jewelry fashioned in the style of 19th Century Romanticism. These pieces showcased the craftsman’s skill with elaborate floral scenes and design elements inspired by the classical Revivalist style of the Romans and Greeks. In America, the austere, but elegant creations of the colonial silver-making tradition, popularized by our most famous silversmith, Paul Revere, can be found in many well-to-do homes.fine arts magazineMore

Coming of Age: The Birth of Modern American Architecture

Alice Ball House, New Canaan, CT. Design by Philip Johnson (c.1950); Interior Design, Victoria Lyon; sculpture, Matthias Alfen; Photo, Eric Roth.

 “I shall confess to you that I have only had one teacher: the past; only one education: the study of the past.”  – LeCorbusier (1929)  

Moored like sleek Cigarette boats in a harbor full of luxury yachts, the growing number of New Canaan ‘moderns’ (more than 75 exist today), offer an unexpected visual respite in a small New England town where, for generations, tradition has ruled supreme. Their sleek, simple façades, flat roof lines, and ample, oversized windows will either shock or delight the observer today, much as they did more than a half century ago, when they were first constructed. Just like an overpowered speedboat, these bad boys of the harbor (and the men who conceived them) were out to make a point—and they succeeded. fine arts magazineMore

Waimea, Hawaii’s Wishard Gallery Offers a Tempting Glimpse of Paradise

If the aim of art is to lift our spirits to live softer, gentler lives connected to the natural world, Harry Wishard’s oil paintings hit the bull’s eye. His paintings capture the 18th and 19th century beauty of Hawaii before modern civilization left its imprint. As viewers transported to this earlier time we can’t help but question if modernization helped or hindered island life.  

A recent visitor to the gallery commented, “A part of Harry Wishard lived several hundred years ago.” Her observation was insightful. Wishard’s representational paintings don’t simply give us a historical glimpse of old Hawaii. They transport us into that world. There is a keen intimacy between the painter and his subject that is startlingly apparent. As viewers we are ushered into this almost sacred realm where Hawaiian heritage connects with the land or aina.  

(Above) Harry Wishard, Pohaku Opio (Hanalei), 2010, 20×30″ available as Giclee on canvas fine arts magazineMore

Soft Sculpture Artist, Ed Bing Lee, Explores Modern World with Time-Honored Technique

Ed Bing Lee, BURGER 2 (2006), 5x5x5”, waxed linen, linen, cotton floss, cotton. All photo credits in this story: Ken Yanoviak

When a Pittsburgh gallery representative asked Ed Bing Lee if he could create a teapot for an upcoming exhibition he thought, “of course, that’s child’s play.” Then his imagination went to work. “I like the idea of taking an art form that already exists and then reinterpreting it,” Lee says. “I knew I could do a regular teapot, but if you look at something and it leads you to something else, that’s what I like.” Leafing through reproductions of “Thirty-six Views of Mount Fuji,” by the Japanese printmaker Katsushika Hokusai, Lee found a favorite, “The Great Wave off Kanagawa,” created during the 1820s. Lee envisioned the great wave washing up over the top of the teapot and a fully-occupied fishing boat projecting underneath as the spout. Four and a half months and countless knots later, Lee completed the 8”x 8”x 8” teapot (see the video story, below).fine arts magazineMore

New York City Architect, William Green, Takes a Critical look at Our ‘Built Environment’

A mid-20th century architectural rendering for urban renewal

“E xcept man, nobody lies. A rosebush cannot lie. It has to produce roses; it cannot produce marigolds — it cannot deceive. It is not possible for it to be otherwise than it is. Except man the whole existence lives in truth. Truth is the religion of the whole existence — except man. And the moment a man also decides to become part of existence, truth becomes his religion.”   –Indian Mystic, Osho

Architectural Forensics is a term to describe how it is that the ‘built environment’ perfectly expresses the intrinsic quality of any society’s sociological, economic, and political nature. In the search for truth, the parsing of concepts, deliberation of ideas, or the use rhetorical analysis to glean the essence of our reality pales in comparison to the truth at it is revealed by the world which we have wrought; and with this fact, there can be no mistake or equivocation. fine arts magazineMore

Norwegian Architects, Jensen & Skodvin Create Woodland Escape with Minimal Environmental Impact

ARTES: This is such an unusual structure, projecting so much of the natural beauty of its surroundings, that it attracted my attention at a recent Scandinavia House exhibition in New York. I just had to contact you. Tell me a bit about the inspiration for the Juvet Landscape Hotel.

J&S: The Juvet Landscape Hotel is located at Valldal, near the town of Åndalsnes in north-western Norway. Passing tourists are attracted by a spectacular waterfall, in a deep gorge near the road in Gudbrandsjuvet. The client, Knut Slinning, is a local resident. The idea emerged as an opportunity to exploit breathtaking scenery with minimal intervention, allowing locations which would otherwise be prohibited for reasons of conservation. fine arts magazineMore

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