Collectables

Oriental Rugs Have Always been ‘Green’

With the explosion of the green movement affecting everything from automobiles to furniture, rug importers and manufacturers are taking a fresh look at their production methods only to discover that their industry has essentially been green all along. Others are developing ways to enhance the green credentials of their handmade rugs in terms of dyeing, washing, and recycling the waste generated during the production process. While significant strides have been made by the machine-made carpet industry towards making it more eco-friendly, carpeting is still mainly produced from non-renewable petroleum products which ultimately account for up to an estimated 5 billion tons of discarded product—up to 1% of U.S. landfills—most of which is non-biodegradable.

The Verde Collection, Design, Ve-06 OAT. Courtesy of Momeni, Inc.

While nylon can be recycled, the availability of such facilities is still limited. [2]Moreover, from a health standpoint, carpeting would appear to incur a greater incidence of ‘outgassing’ due to their higher chemical components and irritants namely dust and molds. Most offensive from the green standpoint are carpeting’s chemical treatments and synthetic backing. As for handtufted products, they are dismissed by most industry experts from being green despite their wool content because of their latex backing. More

Country French Kitchens in American Homes

‘Country French Kitchens add color and style to the American Home’

left: A touch of eclecticism, whimsy and a touch of joie de vivre for a home’s most important room

We Americans possess an enduring fascination with French culinary arts, French design, and indeed, the French art of livin g. Joie de vivre tugs at our heartstrings and continues to pull us, inspire us and motivate us to infuse it into our own living spaces, lifestyles and families.

This chandelier shows off the homeowner’s prized copper collection, illuminating the counter sitting area

No singular room in the home moves us towards joie as does the kitchen. It is the heartbeat of the home, the room where roasts are basted and hearts repaired, where recipes are filed and homework checked. The kitchen serves purposes as varied as our family members’ personalities, yet requires our earnest attempts at infusing joie de vivre—the cheerful enjoyment of life—into those human beings whose lives we are nurturing.

The French have always embraced this notion of infusing joy into everyday routines and personal spaces. They have long recognized the value of nurturing: with nurturing meals and conversations; with loving preparations and presentations. And we desire to impart this to our home and families, regardless of how far we live from authentic French culture.

Tang Dynasty Sculpture and Ancient Chinese Lifestyle

Tang Dynasty Camel and Rider is a thousand-year-old treasure within reach of many collectors

DSCN2222
This extraordinary early Tang Dynasty (618-907 c.e.) camel and rider (20” tall x 14” wide) is representative of a golden period in Chinese cultural history. After hundreds of years of regional conflict and division, central China was unified under as series of powerful emperors and entered a long period of peace and creativity. Stimulated by contact with India and the Middle East, the arts flourished. Buddhism, originating in India, found its way to China in the time of Confucius and this introspective faith was soon adopted by the royal family to become a permanent part of Chinese culture. Not only painting, but music, opera and poetry also became popularized.

DSCN2221 — Another piece from the Mandarin Collection features an animated horse's head, a collectable feature

Much of the figurative clay and polychrome figures from this and the earlier Han Dynastry (206 b.c.e.-220 c.e.) were tomb figures, interred with the wealthy to accompany them in the afterlife. Currently very sought-after, these expressive and skillfully crafted figures tell a story of life little-changed over the centuries.

Technically, the structure and design of this camel and rider represent an innovation in the shaping and firing of the clay for that time. Since the long legs of the animal could not be rendered in wet clay without some structural reinforcement for the weight of the body of the animal and figure, internal cast iron supports were used for the extremities. These struts were first coated in wax before being surrounded by clay. In the firing, the melting wax would escape thought a tiny hole in the foot leaving a small space behind. This technique prevented the expanding metal from cracking the clay as the figure baked in the kiln. A delicate, gravity-defying figure was the result.

This rare and expressive sculpture is available through The Mandarin Collection in Westport, CT. It has been authenticated using Oxford University’s carbon dating system. Price: $66,000. Contact C.C. Wong at 203.454.4030 for more information.

Read more about China’s Tang Dynasty at: http://www.bambooweb.com/articles/T/a/Tang_Dynasty_art.html