As the movers and shakers of the handmade rug industry, the interior design trade plays a pivotal role in shaping the end consumers’ purchasing decisions. After focusing on the greenness of the handweaving process from the manufacturers’ standpoint (See “Special Green Report—Handmade Rugs—The Original Green Floor Coverings,” ARTES (Oct. 13, 2009), this article takes a hard look at what the country’s most reputed and green-attuned designers and other members of the design community are thinking. Do they view handmade rugs as an eco-friendly floor covering as compared to machine-made?
Noted New York-based interior designer Darren Henault of Darren Henault Interiors, says, “To me, the fact that handmade oriental and decorative rugs are green seems only logical and obvious.” However, for most members of the design trade, awareness of handmade rugs as being green is limited, if not virtually nonexistent. States Laura Bohn of Laura Bohn Design Associates, New York, NY whose work has been featured on CNN Style and HGTV: “I didn’t know that and never thought of it until now!” Adds Mary Douglas Drysdale of Drysdale Design Associates, Washington, DC: “As a group, the designers’ mission is to make things look good and is focused more on instant gratification which is not born out of long-term thinking.” Echoes designer Annette Stelmack of Stelmack & Associates III, Denver, CO and co-author of Residential Sustainable Interiors:1“ For [most] designers, the greenness of floor coverings is not a major preoccupation.”More
A Reflection on the Kathy Hirshon Exhibit, ‘Spirited Trees’
At The Bartlett Arboretum, Stamford, Connecticut
October, 2009- January 1, 2010 x Unlike the other seasons, autumn takes its time in arriving. Almost overnight, spring seems to pop into bloom after the yellow crocus peeks out from under the frost. Summer rushes in, never allowing enough time to fully embrace its warmth and extra long days. Inevitably, winter arrives, as it always must, with a biting wind, and then lingers much too long.
With the explosion of the green movement affecting everything from automobiles to furniture, rug importers and manufacturers are taking a fresh look at their production methods only to discover that their industry has essentially been green all along. Others are developing ways to enhance the green credentials of their handmade rugs in terms of dyeing, washing, and recycling the waste generated during the production process. While significant strides have been made by the machine-made carpet industry towards making it more eco-friendly, carpeting is still mainly produced from non-renewable petroleum products which ultimately account for up to an estimated 5 billion tons of discarded product—up to 1% of U.S. landfills—most of which is non-biodegradable.
The Verde Collection, Design, Ve-06 OAT. Courtesy of Momeni, Inc.
While nylon can be recycled, the availability of such facilities is still limited. [2]Moreover, from a health standpoint, carpeting would appear to incur a greater incidence of ‘outgassing’ due to their higher chemical components and irritants namely dust and molds. Most offensive from the green standpoint are carpeting’s chemical treatments and synthetic backing. As for handtufted products, they are dismissed by most industry experts from being green despite their wool content because of their latex backing. More
'Through the glass, brightly', view of the Lyman Estate, Waltham, Massachusetts
As I pulled up the long drive, lined with sturdy, shag-barked Maple trees, the snow-covered fields and a distant copse of fledgling oaks and birches to my right offered a glimpse of a Boston of long ago. Suburban neighborhoods and office parks now surround this pastoral vista, a gently rolling reminder of what much of this region (and in fact, most of 18th century America) looked like when the Lyman Estate property (“The Vale”) was acquired in 17…
My destination was the non-profit organization, Historic New England, based at the Lyman Estate in Waltham, MA. From there, a small and dedicated staff manages and preserves 36 historic properties in five New England states. Constructed over the course of four centuries (1664-1938), each serves as a small, freestanding museum and cultural milestone along the road of American architecture,
The "Vale" or Lyman Estate, home of the Waltham, MA based Historic New England which manages 36 properties in 5 state
design and everyday living. In addition to their properties, the Otis House Museum, in Boston, houses their collection of over one-million records: historic photographs, architectural drawings, ephemera, manuscripts and other printed material pertaining to life in the region.
It was because of their historical archives and related research that I traveled to meet with Sally Zimmerman, Preservation Specialist, and an authority on historic paint colors throughout the period. Sally has devoted much of her professional life to investigating the composition, uses and fashion trends expressed by both exterior and interior paint in historic New England homes over the years. My goal was to discover how paint colors and technology has changed over the centuries and to learn more about the investigative techniques that are used to uncover this little-understood aspect of our cultural heritage.More
When in Paris last, I visited Le Viaduc des Art. My good friend, Amy, born in Paris some 89 years ago, had taken me there once, but I welcomed another opportunity to discover and explore some of its certain surprises. It is, ironically, one of the more hidden, yet quite public treasures of Paris, located at the southeast end the city, in the 12th Arrondissement. Le Viaduc is only a few blocks from the Bastille Opera House (built over the demolished Bastille prison, where the historic ‘storming’ set off the French Revolution). Nearby, Rue de Lyon leads to Avenue Daumesnil, where the viaduct begins, hugging the tree-lined avenue all the way east to Bois de Vincennes.
Le Viaduc is a 19th century structure, originally used as an elevated rail line. Its path is supported by a series of supporting arches and the city has cleverly converted it into a long green walkway– ‘la coulee verte’. The promenade on top is planted with a profusion of plants, trees and luscious flowers–becoming a kilometer-long strip of verdant park ideal for long leisurely strolls. And underneath, the high vaulted spaces of the viaduct are now home to dozens of active studios, workshops, galleries displaying the work of artists and artisans and chic cafes. Le Viaduc itself and its series of arches, framed by sand-colored stone and dark red brick, take on the appearance of an elongated Romanesque-style structure.More
Windows are a beautiful and essential part of any home, but they also contribute to higher energy costs by heat gain in the summer and heat loss in the winter. This article explores ways to reduce heat gain and loss with window technology, window film and window coverings to help save you money.
Window Technology: The two most important terms to know when buying windows are the U-Factor and Solar Heat Gain Co-efficient; both are measures of the window’s energy efficiency. The U-factor rates heat loss. The lower the U-Factor, the better the rating. The Solar Heat Gain Co-efficient measures heat gain by how much UVA and UVB light can pass through the window. Generally, the lower the number, the better the rating – depending on where you live.More