Theater/Film

‘Safe House’-Sarasota’s Innovative Theater In the Age of Covid

After Fletcher leaves his cybersecurity job with a powerful corporation, he and his wife, Ava, hide with damning company secrets. Then Ava mysteriously disappears. But where did she go? Fletcher turns to strangers to find out.

Without a doubt, Safe House , which does not include live actors, is hardly typical live theater. And “audience members” are anything but passive viewers. Instead, they are the strangers to whom Fletcher turns to find his wife.

Bad Dates: A Dazzling Array Of Shoes, Clothes, Men, Police, and the Roumanian Mafia

For great fun, and a breathless romp through one woman’s topsy-turvy life, Bad Dates , George Street Playhouses’ filmed version of Theresa Rebeck’s 2003 zany one-woman play starring Broadway actress Andréa Burns ( In The Heights, On Your Feet, The Nance ), is the hip place to be.

217 Films: Considering Kenneth Clark’s ‘Civilisation’ and America

“Civilisation has been a series of rebirths. Surely this should give us confidence in ourselves.” ~Lord Kenneth Clark

In the latest in their series entitled, ‘Essays in Film,’ documentary film makers, Michael Maglaras and Terri Templeton (217 Films) have once again shed light on a complex historical theme, placing it in the context of our vast American cultural narrative. After tackling topics like, Art in the Gilded Age, Arts of the Works Progress Administration, and the 1913 Armory Show, among others, this time their sights came to rest on British art historian and BBC star, Lord Kenneth Clark, and his much-touted 1970’s TV series, “Civilisation.” The video’s late-2020 release celebrates the 50th anniversary (1970-2020) of the American public television premiere of Lord Clark’s ground-breaking, thirteen-part BBC documentary series. Featuring archival footage from the original programs, as well as contemporaneous interviews with Sir David Attenborough and James Stourton (Clark’s definitive biographer), this documentary, entitled, “Civilisation and America,” focuses on the ways in which the series, airing in American homes in the midst of a time of great political and social upheaval, was received on this side of the Atlantic.

14-Year old Musician/Actor Joshua Turchin Takes the Stage by Storm

Joshua Turchin wrote the book and lyrics, and composed the music, to an original, award-winning, Broadway-bound musical which wowed New York critics. Not bad for a 14-year-old, huh? But the New York-based youngster, who is also an actor, would rather you not dwell on his age. Instead, he wants people to focus on his accomplishments. And there are many. For instance, Joshua recently released the cast EP of his Broadway-bound musical, The Perfect Fit. The EP, or extended playlist, is available on platforms such as Amazon, iTunes, and Apple Music.

Streaming: Jessica Sherr’s ‘Bette Davis Ain’t For Sissies’

Of all the celebs channeled by drag queens and female impersonators, Bette Davis, like flies to honey, has always been at the top of every performers list. Her mannerisms, her clipped New England cadences, her famous lines like “fasten your seatbelt this is going to be a bumpy ride,” and the forever dangling cigarette in her airborne hand, like the actress herself, are legendary.

HBO’s ‘Coastal Elites’- Grappling with Politics, Culture and the Pandemic

Ever since Covid-19 shut down our theatres, movie houses, museums, concert halls, opera houses, jazz clubs, and stadiums – in short, our entire country’s entertainment industry – thus robbing thousands upon thousands of singers, actors, writers, producers, directors, musicians, athletes and countless others, of their livelihood, not to mention their raison d’etre, there has been a marked increase in entertainment offerings on TV, cable, online, blogs, websites and streaming services like Netflix, Hulu and Disney. Some are free, some are for pay, and all are being eagerly snapped up by pleasure seeking audiences.

Expressions of Artistic Freedom Proven in Film, ‘Married to Math’

“Married to Math” is a film made as if it were a mathematical equation with unknown expressions of value being moved towards a solution. Created by Nina Zaretskaya, founding director, Art Media Center, ‘TV Gallery,’ this documentary presents three mathematicians from the former Soviet Union who released the artistic expression of their youth after the distraction of their training in formal mathematics.

Provincetown’s 14th Annual Tennessee Williams Theater Festival

Each year, for the past fourteen, David Kaplan, the curator and co-founder of the annual Tennessee Williams Theater Festival in Provincetown, has had the daunting and, as he might say,’ blessed’ task of mounting a high-wattage festival that shines an incandescent light onto Williams’ fantastical multi-storied life and works. Guided by Kaplan’s fertile imagination, a large staff, and a healthy parade of donors, organizations, volunteers, businesses, and theater companies from around the world – it does take a small army – the Festival has grown every year since its inception in quality, content, and audience attendance. Nowhere, other than the cities of New Orleans and St Louis – both of which have their own annual Williams Festivals – can audiences get to grandly feast on a never-ending cornucopia of all things Tennessee.

NYC’s The New Group: ‘Bob & Carol & Ted & Alice’

Surprise of all surprises, the 1969 movie “Bob & Carol & Ted & Alice,” thanks to The New Group and Pershing Square Signature Center, is back in the news again—this time, not as a film but as a play with music. Cleverly directed by Scott Elliott, from a book by Jonathan Marc Sherman, the musical has dialogue and locations nearly identical to those in the film.

NYC’s Cherry Lane with ‘The Confession of Lily Dare’

In or out of drag, whether on stage or page, the 65-year-old actor playwright Charles Busch, with some forty years of show business under his belt, is a force to be reckoned with. His signature calling card is in his allover inventiveness, his humorous tongue-in-cheek playfulness, looking outrageously spectacular in a gown and wig, and most importantly, a straightforward honesty in everything he touches. In short, Busch is entirely believable even when he is not.